Tenho 30 anos e vi hoje pela primeira vez Hiroshima Meu Amor.

"I think that in a few years, in ten, twenty, or thirty years, we will know whether Hiroshima Mon Amour was the most important film since the war, the first modern film of sound cinema." That’s Eric Rohmer, in a July 1959 round-table discussion between the members of Cahiers du Cinéma’s editorial staff, devoted to Alain Resnais’ groundbreaking first feature. Rohmer’s remark is in perfect sync with the spirit of the film, which, as he says later in the discussion, "has a very strong sense of the future, particularly the anguish of the future." (...)

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